Zama. Revista del Instituto de Literatura Hispanoamericana http://revistascientificas.filo.uba.ar/index.php/zama <p><em>Zama</em> is the journal of the Hispano-American Literature Institute (Faculty of Philosophy and Letters, University of Buenos Aires). It is a double-blind peer-reviewed academic publication that has been published since 2008. Its frequency is annual (December). It publishes original and unpublished works, as well as translations, bibliographic reviews, conversations, poetics and notes referring to Latin American literature.</p> Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) es-ES Zama. Revista del Instituto de Literatura Hispanoamericana 1851-6866 Preliminares http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16916 . Copyright (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0 2025-04-04 2025-04-04 16 Presentación http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16293 Jorge Monteleone Copyright (c) 2024 Jorge Monteleone https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-13 2024-11-13 16 10.34096/zama.a.n16.16293 "Noticia sobre la dirección del Instituto de Literatura Hispanoamericana" http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16471 Revista Zama Copyright (c) 2024 https://creativecommons.org/licenses/by-nc-sa/4.0 2024-12-16 2024-12-16 16 10.34096/zama.a.n16.16471 Marcelo Cohen. Una sociología fantástica http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16294 Sandra Gasparini Copyright (c) 2024 Sandra Gasparini https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-13 2024-11-13 16 10.34096/zama.a.n16.16294 La lectura solo se abandona. Roberto A. Ferro (1944-2023) http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16295 Silvana López Copyright (c) 2024 Silvana López https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-13 2024-11-13 16 10.34096/zama.a.n16.16295 Readings on the City in the Colonial Epic Poem Purén Indómito http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16296 <p>This article proposes the analysis of some references to the city made in Purén Indómito, a piece of epic poetry from the early 17th century attributed to Diego Arias de Saavedra. The poem exposes the fragile equilibrium in the exercise of power concerning the environment and population and evaluates the actions taken by the local agents during the Arauco wars. In this context, the city receives a protagonist role and can be read as a device of governmentality on the southern borderline of the Spanish colonial empire in America.</p> Melisa Scanso Boccaccio Copyright (c) 2024 Melisa Scanso Boccaccio https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-13 2024-11-13 16 10.34096/zama.a.n16.16296 “Grito de rebelión del Ideal”: the literary controversy of 1898 as a strategy for legitimizing Mexican modernism http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16297 <p>This essay will address the controversy of 1898 around Mexican modernism as a space for debate between intellectual groups, as a struggle for symbolic power in the cultural field to legitimize the formation of intellectual communities from a rhetorical and intellectual history perspective. Likewise, the aim is to show how the discourse of modernism vindicates Latin American and Mexican culture and language in this controversy, to incorporate them into the cultural tradition of the West. It gives them legitimacy within a political and social environment marked by criticism and the impetus for change. Modernists, then, are subjects aware of their political and cultural condition, which is why they discuss with arguments of an artistic nature, not only the cultural system, but, implicitly and relatedly, the political and social one.</p> Diana Hernández Suárez Copyright (c) 2024 Diana Hernández Suárez https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-13 2024-11-13 16 10.34096/zama.a.n16.16297 Disenchantment and counter-word: Olga Orozco, Paul Celan and the redemption of the sacrificial tradition http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16332 Héctor Calderón Mediavilla Copyright (c) 2024 Héctor Calderón Mediavilla https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16332 Forms of long-duration in La jaula de los onas by Carlos Gamerro http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16333 Luz Pignatta Copyright (c) 2024 Luz Pignatta https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16333 Dislocated Times: Ruptures, Detours, Thresholds http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16334 Isabel Quintana Copyright (c) 2024 Isabel Quintana https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16334 Presentación: “Palabras contra la mecánica del olvido” http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16335 Celina Manzoni Copyright (c) 2024 Celina Manzoni https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16335 Rescue, redistribute, reanimate: some memory and critical gestures in the fiction work of Roberto Bolaño http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16336 Florence Olivier Copyright (c) 2024 Florence Olivier https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16336 "La "The Part about the Crimes”: An Economy of Fear http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16337 <p>Conectando tramas de violencia (machista, patriarcal, narco, policial, laboral) con la potencia comunitaria del cuerpo puesto a trabajar, “La parte de los crímenes”, cuarta sección de la novela póstuma de Roberto Bolaño 2666, muestra cómo funciona un poder que, indistinguible del afecto, se manifiesta a través del miedo y la degradación del cuerpo femenino como territorio eminentemente biopolítico. Los basureros, los baldíos, las villas miserias, las urbanizaciones, los barrios periféricos de la Santa Teresa de 2666, con las maquiladoras de fondo alzándose como castillos góticos en medio del desierto de Sonora, componen un ecosistema del miedo, un espacio abandonado por el Estado a las fuerzas sexistas y racistas del neoliberalismo donde se puede matar mujeres obreras sin cometer asesinato. Plegando al cuerpo sensible de la lengua intensidades sociales que recorren el campo de lo vivo, “La parte de los crímenes” es una exploración en clave afectiva de ese nudo en el estómago permanente que es el vínculo entre miedo, subjetividad y capital.</p> Fermín Rodríguez Copyright (c) 2024 Fermín Rodríguez https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16337 Roberto Bolaño and Mohamed Mbougar Sarr, a Decolonial Constellation http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16338 Paula Aguilar Copyright (c) 2024 Paula Aguilar https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16338 Against Bolaño: Alternative Ways to Deal with the Eclipse http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16339 Roberto Rodríguez Reyes Copyright (c) 2024 Roberto Rodríguez Reyes https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16339 Roberto Bolaño: Between Surrealism and the Events of Water in “Últimos atardeceres en la tierra” http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16340 Julián Axat María Manuela Corral Copyright (c) 2024 Julián Axat, María Manuela Corral https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16340 “People Talking about Other People": Aesthetics and Politics of the Everyday in the Work of Roberto Bolaño http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16341 Benjamin Loy Copyright (c) 2024 Benjamin Loy https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16341 Bolaño: la literatura y el mal en América http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16298 Carlos Gamerro Copyright (c) 2024 Carlos Gamerro https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16298 El dispositivo de la prensa periódica, la pulsión de futuro y las figuras de autoría http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16299 Mariana Rosetti Copyright (c) 2024 Mariana Rosetti https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16299 La reedición de un clásico http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16300 Mariela Escobar Copyright (c) 2024 Mariela Escobar https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16300 Del Este a Centro Habana: lecturas para otro archivo cubano cartografiado desde el Sur http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16301 Ana Eichenbronner Copyright (c) 2024 Ana Eichenbronner https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16301 Lo americano magmático: poetas en simultaneidad http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16302 Juan Pablo Luppi Copyright (c) 2024 Juan Pablo Luppi https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16302 El hueso de la poesía http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16303 Gustavo Lespada Copyright (c) 2024 Gustavo Lespada https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16303 Ese objeto resistente que llamamos literatura http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16304 Malena Pastoriza Copyright (c) 2024 Malena Pastoriza https://creativecommons.org/licenses/by-nc-sa/4.0 2024-11-20 2024-11-20 16 10.34096/zama.a.n16.16304 Colaboradores http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16917 . Copyright (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0 2025-04-04 2025-04-04 16