Zama. Revista del Instituto de Literatura Hispanoamericana
http://revistascientificas.filo.uba.ar/index.php/zama
<p><em>Zama</em> is the journal of the Hispano-American Literature Institute (Faculty of Philosophy and Letters, University of Buenos Aires). It is a double-blind peer-reviewed academic publication that has been published since 2008. Its frequency is annual (December). It publishes original and unpublished works, as well as translations, bibliographic reviews, conversations, poetics and notes referring to Latin American literature.</p>Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)es-ESZama. Revista del Instituto de Literatura Hispanoamericana1851-6866Preliminares
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2025-04-042025-04-0416Presentación
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16293
Jorge Monteleone
Copyright (c) 2024 Jorge Monteleone
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2024-11-132024-11-131610.34096/zama.a.n16.16293"Noticia sobre la dirección del Instituto de Literatura Hispanoamericana"
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16471
Revista Zama
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2024-12-162024-12-161610.34096/zama.a.n16.16471Marcelo Cohen. Una sociología fantástica
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Sandra Gasparini
Copyright (c) 2024 Sandra Gasparini
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2024-11-132024-11-131610.34096/zama.a.n16.16294La lectura solo se abandona. Roberto A. Ferro (1944-2023)
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Silvana López
Copyright (c) 2024 Silvana López
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2024-11-132024-11-131610.34096/zama.a.n16.16295Readings on the City in the Colonial Epic Poem Purén Indómito
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<p>This article proposes the analysis of some references to the city made in Purén Indómito, a piece of epic poetry from the early 17th century attributed to Diego Arias de Saavedra. The poem exposes the fragile equilibrium in the exercise of power concerning the environment and population and evaluates the actions taken by the local agents during the Arauco wars. In this context, the city receives a protagonist role and can be read as a device of governmentality on the southern borderline of the Spanish colonial empire in America.</p>Melisa Scanso Boccaccio
Copyright (c) 2024 Melisa Scanso Boccaccio
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2024-11-132024-11-131610.34096/zama.a.n16.16296“Grito de rebelión del Ideal”: the literary controversy of 1898 as a strategy for legitimizing Mexican modernism
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16297
<p>This essay will address the controversy of 1898 around Mexican modernism as a space for debate between intellectual groups, as a struggle for symbolic power in the cultural field to legitimize the formation of intellectual communities from a rhetorical and intellectual history perspective. Likewise, the aim is to show how the discourse of modernism vindicates Latin American and Mexican culture and language in this controversy, to incorporate them into the cultural tradition of the West. It gives them legitimacy within a political and social environment marked by criticism and the impetus for change. Modernists, then, are subjects aware of their political and cultural condition, which is why they discuss with arguments of an artistic nature, not only the cultural system, but, implicitly and relatedly, the political and social one.</p>Diana Hernández Suárez
Copyright (c) 2024 Diana Hernández Suárez
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2024-11-132024-11-131610.34096/zama.a.n16.16297Disenchantment and counter-word: Olga Orozco, Paul Celan and the redemption of the sacrificial tradition
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16332
Héctor Calderón Mediavilla
Copyright (c) 2024 Héctor Calderón Mediavilla
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2024-11-202024-11-201610.34096/zama.a.n16.16332Forms of long-duration in La jaula de los onas by Carlos Gamerro
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Luz Pignatta
Copyright (c) 2024 Luz Pignatta
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2024-11-202024-11-201610.34096/zama.a.n16.16333Dislocated Times: Ruptures, Detours, Thresholds
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Isabel Quintana
Copyright (c) 2024 Isabel Quintana
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2024-11-202024-11-201610.34096/zama.a.n16.16334Presentación: “Palabras contra la mecánica del olvido”
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Celina Manzoni
Copyright (c) 2024 Celina Manzoni
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2024-11-202024-11-201610.34096/zama.a.n16.16335Rescue, redistribute, reanimate: some memory and critical gestures in the fiction work of Roberto Bolaño
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16336
Florence Olivier
Copyright (c) 2024 Florence Olivier
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2024-11-202024-11-201610.34096/zama.a.n16.16336"La "The Part about the Crimes”: An Economy of Fear
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16337
<p>Conectando tramas de violencia (machista, patriarcal, narco, policial, laboral) con la potencia comunitaria del cuerpo puesto a trabajar, “La parte de los crímenes”, cuarta sección de la novela póstuma de Roberto Bolaño 2666, muestra cómo funciona un poder que, indistinguible del afecto, se manifiesta a través del miedo y la degradación del cuerpo femenino como territorio eminentemente biopolítico. Los basureros, los baldíos, las villas miserias, las urbanizaciones, los barrios periféricos de la Santa Teresa de 2666, con las maquiladoras de fondo alzándose como castillos góticos en medio del desierto de Sonora, componen un ecosistema del miedo, un espacio abandonado por el Estado a las fuerzas sexistas y racistas del neoliberalismo donde se puede matar mujeres obreras sin cometer asesinato. Plegando al cuerpo sensible de la lengua intensidades sociales que recorren el campo de lo vivo, “La parte de los crímenes” es una exploración en clave afectiva de ese nudo en el estómago permanente que es el vínculo entre miedo, subjetividad y capital.</p>Fermín Rodríguez
Copyright (c) 2024 Fermín Rodríguez
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2024-11-202024-11-201610.34096/zama.a.n16.16337Roberto Bolaño and Mohamed Mbougar Sarr, a Decolonial Constellation
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Paula Aguilar
Copyright (c) 2024 Paula Aguilar
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2024-11-202024-11-201610.34096/zama.a.n16.16338Against Bolaño: Alternative Ways to Deal with the Eclipse
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16339
Roberto Rodríguez Reyes
Copyright (c) 2024 Roberto Rodríguez Reyes
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2024-11-202024-11-201610.34096/zama.a.n16.16339Roberto Bolaño: Between Surrealism and the Events of Water in “Últimos atardeceres en la tierra”
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Julián AxatMaría Manuela Corral
Copyright (c) 2024 Julián Axat, María Manuela Corral
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2024-11-202024-11-201610.34096/zama.a.n16.16340“People Talking about Other People": Aesthetics and Politics of the Everyday in the Work of Roberto Bolaño
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16341
Benjamin Loy
Copyright (c) 2024 Benjamin Loy
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2024-11-202024-11-201610.34096/zama.a.n16.16341Bolaño: la literatura y el mal en América
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16298
Carlos Gamerro
Copyright (c) 2024 Carlos Gamerro
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2024-11-202024-11-201610.34096/zama.a.n16.16298El dispositivo de la prensa periódica, la pulsión de futuro y las figuras de autoría
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/16299
Mariana Rosetti
Copyright (c) 2024 Mariana Rosetti
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2024-11-202024-11-201610.34096/zama.a.n16.16299La reedición de un clásico
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Mariela Escobar
Copyright (c) 2024 Mariela Escobar
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2024-11-202024-11-201610.34096/zama.a.n16.16300Del Este a Centro Habana: lecturas para otro archivo cubano cartografiado desde el Sur
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Ana Eichenbronner
Copyright (c) 2024 Ana Eichenbronner
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2024-11-202024-11-201610.34096/zama.a.n16.16301Lo americano magmático: poetas en simultaneidad
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Juan Pablo Luppi
Copyright (c) 2024 Juan Pablo Luppi
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2024-11-202024-11-201610.34096/zama.a.n16.16302El hueso de la poesía
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Gustavo Lespada
Copyright (c) 2024 Gustavo Lespada
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2024-11-202024-11-201610.34096/zama.a.n16.16303Ese objeto resistente que llamamos literatura
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Malena Pastoriza
Copyright (c) 2024 Malena Pastoriza
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2024-11-202024-11-201610.34096/zama.a.n16.16304Colaboradores
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2025-04-042025-04-0416