Challenges in the theatrical spectator's perception in the digital era

  • Ray Silva UNIVERSIDADE FEDERAL DO ESTADO DO RIO DE JANEIRO - UNIRIO
Keywords: Pandemic, Theatrical Productions, Virtual Space, Electronic Devices, Audience Perception

Abstract

During the Covid-19 pandemic, theatrical productions shifted from physical to virtual spaces, causing transformations in audience perception. This article proposes an observational analysis of the impacts of electronic devices on theater, emphasizing that, although these virtual means were previously used, they assumed a crucial role as intermediaries between the theatrical scene and an audience confined to their homes. The literature review is based on the concepts of conviviality and technoliving by Jorge Dubatti (2016) and studies on the science of vision by Jonathan Crary (2012), allowing an explanatory analysis of changes in the theatergoer's perception when using technological tools. Thus, a parallel is drawn between in-person and virtual theater without imposing preconceived values.

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Author Biography

Ray Silva, UNIVERSIDADE FEDERAL DO ESTADO DO RIO DE JANEIRO - UNIRIO
Capes scholarship student in the PhD program in Theater at the Federal University of the State of Rio de Janeiro (UNIRIO). Previously, completed a Master's degree in Performing Arts in the research line "Pedagogy of Performing Arts, Reception, and Cultural Mediation" at the Federal University of Maranhão (UFMA), where developed a study called "THE ENCOUNTER: from the event to an attentive gaze - the play 'O Miolo da Estória,'" defended in September 2021. Holds a Bachelor's degree in Theater from UFMA (2017) and a specialization in Art, Media, and Education from the Federal Institute of Education, Science, and Technology of Maranhão (IFMA) (2021). Between 2013 and 2014, participated in the Research and Extension Group Cena Aberta no Brasil, developing artistic productions, extension projects, and research.

References

Crary, Jonathan (2012). Técnicas do Observador: visão e modernidade no século XIX. Tradução Verrah Chamma; organização Tadeu Capistrano. Rio de Janeiro: Contraponto.

Didi-Huberman, Georges (2010). O que vemos, o que nos olha. Tradução de Paulo Neves. São Paulo: Editora 34. 2ª edição.

Dubatti, Jorge (2016). O Teatro dos Mortos: introdução a uma filosofia do teatro. Tradução de Sérgio Molina. São Paulo: Edições SESC São Paulo.

Santaella, Lucia (2012). Percepção: fenomenologia, ecologia, semiótica. São Paulo: Cengage Learning.

Porto, Gabriella (2020). InfoEscola: navegando e aprendendo. Acessado em: https://www.infoescola.com/fotografia/camara-escura/
Published
2024-05-29
How to Cite
Silva da Conceição, R. (2024). Challenges in the theatrical spectator’s perception in the digital era. Teatro XXI, (40). https://doi.org/10.34096/teatroxxi.n40.14127
Section
Artículos