El Muererío Teatro: Twenty-Five Years on the National Scene

  • Juan Cruz Forgnone Universidad de Buenos Aires
  • Lía Noguera CONICET/ UNA-UBA
Keywords: Muererio, Theater, Argentine, Starosta, Company, Acting Procedures, Dramaturgy

Abstract

On the occasion of the twenty-fifth anniversary of the theatrical company El Muererío Teatro, in this article we intend to reflect on a large part of its artistic productions. Our goal is to review the various tensions, relations and breaks that the company has established with the literary and theatrical past, with the nation and with philosophy, to propose new semantic and aesthetic uses. At the same time, based on the concept of manipulation proposed by the company, we intend to analyze both the acting procedures themselves and the dramaturgical ones.

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Published
2022-05-21
How to Cite
Forgnone, J. C., & Noguera, L. (2022). El Muererío Teatro: Twenty-Five Years on the National Scene. Telondefondo. Revista De Teoría Y Crítica Teatral, (35). https://doi.org/10.34096/tdf.n35.11387
Section
Dossier