The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology

Abstract

Clown (as a specific, more theatrical, form of clowning, which is identified by the English denomination to distinguish it from the traditional payaso) is a consolidated line of artistic work in the theatrical field of Buenos Aires, Argentina. However, academic studies have not yet approached it from the acting perspective. The few existing studies provide a histographical overview, but still do not problematize the actor’s work and training. Considering the arrival of Clown and formal training in circus arts becomes imminent at the Argentinian public university in the 21st Century, this essay problematizes its introduction in the educational field at the university level.