La Agrupación Discepolín. Articulaciones entre política y teatro en Rosario durante los ochenta

Abstract

The deregulation of the control and discipline mechanisms that society experienced after the fall of the military dictatorship (76-83) was intensely expressed in the theater, opening new forms of articulation between theater and politics. In this sense, the experience Discepolín from Rosario  appears as a privileged object for analyzing the breaks and continuities in the bond between theater and politics when compared with the "political theater" of the seventies. In this paper I seek to reconstruct the trajectory of this group, reviewing its origin, its methodologies for creation, its works, its organizational forms and its ideas about theater and politics.