"UORC" de La Organización Negra: la enunciación de la experiencia según tres autores

  • María Laura González CONICET, UBA
Keywords: Organización Negra, UORC, aesthetic innovation, enunciation, Performance, perception, reception

Abstract

In this paper we aim to analyze the reception of a theatrical performance carried out between 1986 and 1987 by La Organización Negra. We will focus on three articles published at that time and we will approach the relation established between “seeing” and “saying”, as well as the aesthetic innovation that the performance represented in terms of the theatrical paradigms of the moment. First we will look into each article and then we will study how each author deals with the enunciation of their own experience.

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Published
2011-12-01
How to Cite
González, M. L. (2011). "UORC" de La Organización Negra: la enunciación de la experiencia según tres autores. Telondefondo. Revista De Teoría Y Crítica Teatral, 7(14), 63-74. https://doi.org/10.34096/tdf.n14.9041
Section
Perspectivas