Cover image: fragment of “Hilo” (2019), mural on the wall of a corridor of the Colegio Nacional Buenos Aires (Argentina). Artist: Milu Correch, a 2009 graduate of that school, created the mural to commemorate the 30th anniversary of the afternoon shift. The work was done on a stucco base on the Paris stone of one of the CNBA's corridors. Milu Correch is a painter and muralist, internationally known for her large-scale works in different cities around the world, and in different techniques. Photo: Noemi Molina.

Cover image: Mural on walls at the Multiespacio Argensud Cultural building (August-September 2023). Puerto San Julián, Santa. Cruz, Argentina. Author: Luciano Torres, made digitally and painted on the walls with synthetic enamel. It is a fragment (“Latin American Identity”) of 4 murals that compose a collage “in constant and unfinished process” and to which other artists or the public can intervene with drawings and texts with the only slogan of maintaining the thematic relation of each one of them. Photo: Marcelo Pautasso

Cover image: @nomebanio. The image corresponds to one of the promotion stations of the street exhibition, "Expo de la calle 2" (April 2023) where, walls, posters and spaces already intervened by advertising, walls and other graffiti, are intervened with objects and works of their own that will then be "looted" by the community. @las.moskas / @nomebanio, are the mentors of the graffiti movement "No me baño", which gained massive recognition through their "dirty" and "vandalic" interventions with graffiti, ingenious brief and questioning phrases. Photo: nomebanio.

Cover image: Mural on walls at the Multiespacio Argensud Cultural building (August-September 2023). Puerto San Julián, Santa. Cruz, Argentina. Author: Luciano Torres, made digitally and painted on the walls with synthetic enamel. It consists of 4 murals that make up a collage "in constant and unfinished process" and to which other artists or the public can intervene with drawings and texts with the only slogan of maintaining the thematic relationship of each one of them: "Latin American identity", "Political management of the pandemic", "Inclusion, respect and justice" and "The masks of double standards". Photo: Marcelo Pautasso

Cover Image: Mural Club Cultural La Minga (February, 2022). Boedo City of Buenos Aires, Argentina. Author: Andrés Cornejo, with the collaboration of Melina Soria and members of La Minga Cultural Club. This mural is the result of a collective construction, thought from La Minga's group work and materialized by the design of Andres Cornejo, illustrator and visual artist, born in 1987 in the city of Buenos Aires. He works as an illustrator in the publishing industry and in audiovisual media.

Cover Image: Untitled. (2017) Aerosol art. Open Air Museum. Valparaiso, Chile. Artist: Caleb Aero. American designer and talented aerosol artist. Photo: AAL (Arte al Límite).

Cover: Alexa (2017-2020). Magdalena del Mar, Lima, Peru. Mural by artist Daniel Cortez (El Decertor)© painted in 2017, in 2020 -pandemic time- the lower part of the face had peeled off, the artist intervened again adding the chinstrap. Photo: by Ricardo Cortez©.

Cover photo: "The return of Quinquela" (2013). Fragment of a panoramic view of the mural made by the artist Alfredo Segatori on Pedro de Mendoza and San Antonio streets in the neighborhood of La Boca, Buenos Aires, Argentina. The mural has 2000 m2 making it the largest done by a single artist with the technique of freehand aerosol. Declared of Cultural Interest by the Buenos Aires Legislature in 2019. (The photo belongs to the Ente de Turismo de Buenos Aires).

Cover photo: Pis, June 2010, City of Bariloche. Author: Alejandra Bartoliche (02/05/63), Buenos Aires. She has been living in Bariloche for 27 years and has collaborated with Pagina12, Reuters, Clarin Newspaper. For 23 years she has been working for the National News Agency Telam. The photo is part of her work covering the events that took place during the social protest in the city of Bariloche in June 2010. The murder of a teenager in the El Alto neighborhood, shot in the back by a police officer, provoked a social protest that spread throughout the city and was brutally repressed by the police forces. The protest culminated in numerous injuries and the death of two more youths as a result of the excessive use of police force.

Mural in support of the Essential Workers, San Martín Hospital in the city of La Plata.Muralists and Photography: Colectivo Muralista de Generación Patriótica and Pablo Alvarado.

May - September, 2020.Cover Photo: “Senegalese in Constitución”. (2017). Autonomous City of Buenos Aires, Argentina. Author: Pablo Cerolini. Photojournalist. He worked in the magazines Vos, Sólo fútbol and El Gráfico, and in the newspapers La Razón and Clarín.

Cover and back cover: Murals on the façade of two of the seven buildings intervened in 2016 by artist Roberto Mamani Mamani Mamani and that are part of the social housing complex “Whipala Community” in El Alto, Bolivia. Mamani Mamani is a self-taught artist who reflects in his works the symbolism and culture of the Andean world. Photo: © Iván Orellana Flores

  RUNA 40.1 Mayo - Octubre Imagen de Portada: Mural en el barrio de San Telmo. CABA. ArgentinaMural compuesto por la obra del artista urbano colombiano Sebastián Rodriguez Melegria y –en contratapa–, mural sobre Santiago Maldonado, sin datos del autor.Foto de María Victoria Pita, febrero de 2019.

RUNA 39.2, Julio - Diciembre Imagen de Portada: Tunel Caseros. Buenos Aires. ArgentinaMartin Ron, THG’S (Bater, Tekaz, Heis) y JiantMural realizado dentro del programa Embellecimiento UrbanoFoto: Alejandra Leston Photography / RMB fotografía.© Copyright Martín Ron 2017 – Todos los derechos reservados.

RUNA 39.1, Enero - JunioImagen de Portada: Buenos Aires - Barracas, Sin título, Mural realizado por Rundontwalk, Cabaio Stencil y Stencil Land.Foto de Wally Gobetz, 2012. .

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Enero - Junio

Julio - Diciembre

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Enero - Junio

Julio - Diciembre

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Julio - Diciembre

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