Foucault; Lacan; El barro se subleva; Briski; Othelo; Chame Buendía; Dínamo; Hermida; Perotti; Tolcachir; Ilusión; Ontivero; El combate de los pozos; Garrote

  • Gustavo Geirola

Abstract

This essay will focus on 15 plays produced in Buenos Aires during June and July 2015. The proposal is to start from the Lacanian concept of “fundamental phantasm” or of “enunciation” in Foucault to approach these plays in order to detect how, beyond their plots and themes (many of them with a clear reference to the political context), the political get installed through the scenographic procedures and props which are related to the type of acting and to the aesthetical affiliation assumed by each particular staging project. 

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How to Cite
Geirola, G. (1). Foucault; Lacan; El barro se subleva; Briski; Othelo; Chame Buendía; Dínamo; Hermida; Perotti; Tolcachir; Ilusión; Ontivero; El combate de los pozos; Garrote. Telondefondo. Revista De Teoría Y Crítica Teatral, (24), 1-30. https://doi.org/10.34096/tdf.n24.3141
Section
Ensayos